Recent Reviews
Review: We're in your Future by Alyson Dolan
by David Glen Robinson
Published on May 03, 2023
We’re in Your Future encourages us to support and savor the transitory magnificence of high art born of talent, sweat, and training. We hope that Alyson Dolan and friends remain regularly present in our futures.
Just when this reviewer thought he’d seen every possible move in modern/contemporary dance, along comes We’re in Your Future by Alyson Dolan. Dolan produces shows calling on the talents of her friends, students, and colleagues. And the dances are invariably sublime, not to be missed. A major plus point for her dance shows is the Café Dance venue in west Austin, a small, warm, truly intimate space with a marley dance floor from wall to …
Review: Mother of the Maid by Jarrott Productions
by David Glen Robinson
Published on April 29, 2023
Jeanne d'Arc's mother Isabelle faces the extreme test of faith of losing her child due to events she cannot understand. Isabelle's is a tale of strength, survival, perseverance, and searching for the transcendent.
You already know how it ends. Here it is, no spoiler: Joan of Arc, teenager, war leader, visionary, sheep herder, innocent, über feminist, and pivot of history, suffered execution by burning at the stake by the French and the English, May 30, 1431. The high drama of her story in Mother of the Maid by Jane Anderson is foregrounded by the story of Joan’s mother Isabelle d’Arc. Anderson’s play focuses upon Isabelle in the extreme …
Review: Luchadora by Mary Moody Northen Theatre
by Michael Meigs
Published on April 20, 2023
LUCHADORA is a charming and useful fable, a tale about growing up cross-cultural and embracing the heroic. Compliments to Becca Jimenez, who played the protagonist Vanessa on opening night,.
Parents have their secrets, even responsible and affectionate parents, and children don't often discover them. Especially not when the offspring is still a child; single children—those without siblings—probably even less often. But there's a magic at work as one approaches adulthood and develops into a person uncannily like one or the other parent. Or both. "Coming of age" and "quest" stories have always resounded, whether told beside a campfire, in a novel or movie, or …
Review: The Dragonfly Princess by Vortex Repertory Theatre
by David Glen Robinson
Published on April 20, 2023
Take advantage of the Vortex/Ethos cyber operas when you can; someday they may become as rare as the fairies at the bottom of your garden.
“There are fairies at the bottom of our garden…” the song goes. But they are no fairies such as these I’ll warrant. Fairy mythology and the land of faery have taken many turns in literature and the arts, their baby-stealing propensities amplified in Changelings, produced at Salvage Vanguard Theatre several years back. But in the dark, gothic imagination of Chad Salvata the fairies have become more contradictory, at once monstrous, magical, loving, quarreling, self-serving, passionate, …
Review: SMORG by Emily Rushing, Carissa Topham
by David Glen Robinson
Published on April 16, 2023
A very auspicious beginning for the new company of Emily Rushing and Carissa Topham. SMORG has a bright future.
SMORG is the name of Austin’s newest dance company. Its co-artistic directors are Carissa Topham and Emily Rushing. SMORG An Evening of Dance, their premiere outing, played through the intimate space of Café Dance on Hancock Drive in west Austin. The superior group performance by many of Austin’s top rank performers created a very auspicious beginning for a new company with a very bright future. A few notes can be offered on the pieces, each …
Review: ROE by Zach Theatre
by Michael Meigs
Published on April 14, 2023
ROE is cracking good drama although subtly slanted to views shared by most Austinites. Director Jenny Lavery and her team deliver the nourishment so badly needed after the retrograde Dobbs decision and in the face of spreading authoritarianism,
Four syllables, emblematic of the hard-won right of women to bodily autonomy accorded 7-2 by the Supreme Court fifty years ago. Playwright Lisa Loomer pries the cap off that four-syllable can of worms and portrays individuals involved in and invested in that 1973 result—above all, the titular "Jane Roe." Norma McCorvey was pregnant for a third time and simply wanted not to be pregnant. Recent UT Law School graduate (one of only forty women in …