Recent Reviews
Review: The Drowsy Chaperone by Zach Theatre
by Michael Meigs
Published on July 01, 2010
This cast hits every mark and lifts you into its singing, dancing world. There's a hysterical moment in Act II when we plunge momentarily into a different musical with the same stars.
When I got home, still bubbling from Zach's The Drowsy Chaperone, I was ready to write, "Run, don't walk, to the Zach box office to get your first set of tickets for this sparkling evening of music, comedy and light-hearted fooling, a clever reincarnation of Broadway at its wonderful beginnings." That's hyperbole, of course. Because you don't need to run anywhere. You just tap zachtheatre.org into your browser, click a couple of times and give …
Review: The Most Fabulous Story Ever Told by City Theatre Company
by Michael Meigs
Published on June 25, 2010
Austin Rausch, particularly, takes impressive risks in pushing Adam into inflated caricature in the first act and then bringing him back in the second to a sympathetic portrayal. Marco Bazan is always the steadier and the more restrained of the two.
Paul Rudnick's play is cleverer and better crafted than you might suspect, given all the no-neck scandal over his playful recasting of biblical stories in goofy, unabashedly gay terms. The company plays the first act hysterically over the top, with flamingly naughty versions of the creation story and of the tale of Moses and the pharaoh, and almost -- almost -- a lesbian immaculate conception. Adam and Eve become Adam and Steve, for example. In …
Review: Bug by Capital T Theatre
by Michael Meigs
Published on June 23, 2010
Kate Debuys again shows herself as an intelligent, perceptive and fearless actress. She and the contained, fierce Joey Hood court and interact throughout this piece, building to a mutually reinforcing frenzy.
Tracy Letts is hard to take. Any playwright is something of a god, sitting before that first blank page with the power to create and mold character and situation. Letts gives us the polarization of that Genesis -- evidently fascinated by the dark and the desperate, he crafts characters beaten down by one another, trapped in poverty, deprived of education and understanding, aching for meaning. He endows them with life, vivid relations and back stories …
Review: Sycorax by Weird Sisters Women's Theater Collective
by Michael Meigs
Published on June 22, 2010
Playwright Todd and director Christa French move these characters between the realm of the physical and that of the spiritual. We do not know whether Ariel is a mere fevered imagining for Sycorax or a familiar spirit with powers.
. . . . Hast thou forgotThe foul witch Sycorax, who with age and envyWas grown into a hoop? Hast thou forgot her? The Tempest opens with a brief scene of desperation, with sailors and passengers struggling against an overwhelming storm. Following that vivid moment, in Act I, Scene 2 Shakespeare gives us a full measure of background and exposition. He paints a huge and vivid canvas. Prospero reviews for his daughter Miranda in great …
Review: Grease by Emily Ann Theatre
by Michael Meigs
Published on June 17, 2010
These characters will continue to exist in our imaginations and in their never-never land, especially when they're revived by stagings as smooth, happy and professional as this one.
The EmilyAnn Theatre in Wimberley is not outside space and time, although from Austin you're going to take a leisurely 45-minute drive through the hill country to get there. And Wimberley may be in ranch land, but it's anything but rural. Witness the presence there of two lively and effective theatre organizations, the EmilyAnn with its outdoor amphitheatre and the Wimberley Players in their snug playhouse on Old Kyle Road. Rather, it's Grease that stands …
Review: Fashion, the High-Style Musical by Sam Bass Community Theatre
by Michael Meigs
Published on June 15, 2010
The Sam Bass, as a community theatre, interpreted Off Broadway spoofing amateur theatre reviving early American drama. One might recall one of those halls of repeating mirrors.
Director Frank Benge and the cast of Fashion at the Sam Bass Community Theatre played a happy triple bluff May 29 to June 12. The base text of this staging is Anna Cora Mowatt's play Fashion, or New York Society. First performed in 1845, it did not rise above the standards of the day. It's a boilerplate melodrama complete with a conniving con-man passing himself off as foreign nobility and with an ingénue playing the …