Recent Reviews
Review: Lizzie: the musical by Doctuh Mistuh Productions
by Michael Meigs
Published on July 18, 2023
LIZZIE is a blast, in both senses of the word. This roaring, soaring sister act plays for two more weekends. Don't miss it; you'll be hearing about it afterward if you do.
We're fortunate that Michael McKelvey, formerly at St. Ed's a couple of iterations ago, likes to drop back into Austin. Addressing the audience before Lizzie tore loose, he declared "We like to operate like rock concerts."He encouraged us to buy some Lizzie "merch"—logo shirts that come either as regular t's or as tank tops perhaps better suited for these hot times in Austin. And hot times they are at Lizzie. Austin Playhouse's theatre space in west …
Review: Handle with Care by Zatero Dance
by David Glen Robinson
Published on July 17, 2023
Café Dance is the gathering spot for Austin's contemporary dance companies. Natasha Small and Liliana Zapatero's HANDLE WITH CARE showcase confirms the originality and dedication of their Zatero Dance Company.
ZATERO Dance is yet another new, young dance company in Austin in what is becoming a distinct post-pandemic explosion of creative performance in the fine arts of theatre and dance. ZATERO Dance, headed by performing co-artistic directors Natasha Small and Liliana Zapatero, takes its place with SMORG (Emily Rushing and Carissa Topham), Alyson Dolan and friends, and the revivified Kathy Dunn Hamrick Dance Company in giving public performances (masks suggested but optional) of innovative movement …
Review: Wraith Radio by Bottle Alley Theatre Company
by Michael Meigs
Published on June 30, 2023
The reveals of WRAITH RADIO, when they come, are well foreshadowed and satisfying—if, that is, yielding to the void can ever seem satisfying to those still quivering with life.
Chris Fontanes's parable Wraith Radio portrays delirium and last hours of an injured soldier isolated in some dark time and place. The work debuted in a shabby warehouse in South Austin in 2016. The playwright's ragtag Bottle Alley Theatre Company was born in an equally devastated punk locale in 2012, and they've crept from one found venue to another since—proof of the ingenuity and dogged determination of DIY theatre makers. The 2016 Wraith Radio …
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Review: The Art of Martyrdom (a Comedy) by Rita Anderson, presented by Different Stages
by David Glen Robinson
Published on June 24, 2023
Playwright Rita Anderson's portrait of the nun Hrosvitha, the first female playwright, muddles an important story by viewing it through 21st-century lens. A talented cast and decisive director mostly save the day.
The Art of Martyrdom (A Comedy) is a play of magical realism, hybridity, social activism, sexual freedom, creativity, and church mockery, but not much so much about conflict and resistance. Playwright Rita Anderson often employs magical realism to shoehorn a wide array of issues into the themes of her plays, but this one gets to the far reaches of magical realism. The frame of the play is the story of Hrosvitha, a cloistered nun …
Review: Julieta tiene la culpa by Bárbara Colio, Central Drama, Austin
by Michael Meigs
Published on June 17, 2023
Bárbara Colio's remarkable script and Alejandro Pedemonte's direction of three striking, distinctly different actresses created a mesmerizing experience.
Within Austin's Ground Floor Theatre, an undefined space is set against a black background. The platformed stage is bare except for two long wooden benches. Verónica Pomata enters, lingers stage right, fidgets, checks her phone, looks back behind her; the seconds stretch out and expectation builds into suspense. Director Alejandro Pedemonte knows how to rivet the attention of a full house. When speech comes after that long, detailed silence, it's in Spanish. The full …
Review: Thank You and Have A Nice Day by Summer Break Theatre
by David Glen Robinson
Published on June 17, 2023
Monroe Oxley's quirky play about quirky people, a "trailer court" comedy without the trailer, is enjoyable—turning to tragedy, it only gets funnier.
Summer Break Theatre is largely a company of theatre teachers available to produce only one play a year as a group, during summer break. They are not alone in that: most theatre pros in Central Texas support themselves with career jobs outside theatre. Those full-time jobs are vocational activities, side hustles that provide almost all their income in our increasingly expensive Austin. Acknowledging that, Summer Break Theatre puts it all into one production per year. …