Recent Reviews
Review: Cabaret by Wonder Theatre, San Antonio
by Donna Provencher
Published on June 17, 2026
Under Blake Hamman's direction, this CABARET is an aesthetic feast of powerhouse performances, riveting spectacle and top-notch craft that jolts with sex and violence.
The Wonder Theatre’s Cabaret is certainly not your mother’s Cabaret, nor is it Liza Minnelli’s. Nor did director Blake Hamman intend for it to be. This Cabaret is unabashedly dark and atmospheric, unflinchingly sexual and graphically violent — at times to stunning effect, at times at its own expense. One thing is for certain: It will leave San Antonio audiences talking for years to come. Headlined by Grace Lynn in an unforgettable turn as Sally …
Review: Love, Loss and Other Constellations by Kathy Dunn Hamrick Dance Company
by David Glen Robinson
Published on June 05, 2026
KDH Dance company celebrated its late founder Kathy Dunn Hamrick with gems of dance costumed, lit, and performed to recall the past and face the future under KDH's chosen successor Alyson Dolan.
The title Love, Loss and Other Constellations poetically describes the diverse themes of the new show by KDH Dance Company, the first since company founder Kathy Dunn Hamrick passed away in February 2026. Beautiful dancers, well costumed and accompanied by wonderful live jazz-based music, created a dance event of sparkling imagery and creative inspiration. The show featured sections and movement tropes from Kathy Dunn Hamrick's choreography and shows from the company's past twenty-four years. These …
Review: Erma Bombeck: At Wit's End by Austin Playhouse
by Hannah Neuhauser
Published on May 23, 2026
Like Erma Bombeck, whom she's channeling, Sarah Fleming Walker comes across as an ordinary, real-life feminist. Raw. Resilient. And remarkable.
Over the decades, the social construct of “femininity” has been evolving in waves of rage and regression. In the 1910s, suffragettes tied themselves to iron rails. In the 1960s, housewives were tied to ironing. Not everyone was Betty Freidan, whose landmark text The Feminine Mystique called out the supressed anger of modern mothers trapped in domestic dollhouses. Frieden's book was insightful. And insulting. What about the ordinary feminists? Freidan never married. Or had children. Women …
Review #2 of 2: Destination by Jarrott Productions
by Michael Meigs
Published on May 21, 2026
A small play with destinations that are psychological. A father and a daughter work to balance duty with their deepest emotions.
George Ayres' Destination, a small play, fits nicely into the Trinity Street Players' fourth-floor black box theatre downtown at First Austin. On opening night, downstairs there was a bustling fest of LGBQT organizations on the plaza and in the lobby; upstairs, the sense was equally positive but more reflective, for Howard, the focus of the story, is very much at the end of a long lifespan. Destination examines nostalgia, regret, and the tension between duty …
Review #1 of 2: destination by Jarrott Productions
by David Glen Robinson
Published on May 21, 2026
Haiku verses mark plot turns as characters face decisions that set down footprints in the sands of their times. Regret can eat you alive, but in this work it does not.
Agéd love comes out Whiskey from the cabinet Downtown lights whisper. Events, things, even plays may touch our lives and send them right along down new ways. Those epiphanies are more striking because they occur unexpectedly. The impact is most astounding when the stimulus evokes a look at one’s life, not forward, but behind. Look over your shoulder—what shapes of footprints are you laying down behind as you tread these sands of time? destination, the …
An Encomium: Austin Opera and La bohème
by Michael Meigs
Published on May 20, 2026
The triumph of Austin Opera's ravishing LA BOHÈME doesn't surprise, for it mirrors the companys confirmation as a major player on the national vocal performance circuit.
We've just learned that Austin now has a population of more than one million and is the twelfth largest city in the country. How things have changed! Long gone is that slogan Keep Austin Weird and only marginally relevant is its official successor Live Music Capital of the World. To be replaced by—what? Perhaps by nothing at all. Perhaps our town has grown up and gotten to be a city of complexity, creative, and self-awareness, …