Recent Reviews

Review #2 of 2: Destination by Jarrott Productions

Review #2 of 2: Destination by Jarrott Productions

by Michael Meigs
Published on May 21, 2026

A small play with destinations that are psychological. A father and a daughter work to balance duty with their deepest emotions.

  George Ayres' Destination, a small play, fits nicely into the Trinity Street Players' fourth-floor black box theatre downtown at First Austin. On opening night, downstairs there was a bustling fest of LGBQT organizations on the plaza and in the lobby; upstairs, the sense was equally positive but more reflective, for Howard, the focus of the story, is very much at the end of a long lifespan. Destination examines nostalgia, regret, and the tension between duty …

Read more »

Review #1 of 2: destination by Jarrott Productions

Review #1 of 2: destination by Jarrott Productions

by David Glen Robinson
Published on May 20, 2026

Haiku verses mark plot turns as characters face decisions that set down footprints in the sands of their times. Regret can end you alive, but in this work it does not.

Agéd love comes out Whiskey from the cabinet Downtown lights whisper. Events, things, plays,may touch our lives and send them right along down new ways. Those epiphanies are more striking because they occur unexpectedly. The impact is most astounding when the stimulus evokes a look at one’s life, not forward, but behind. Look over your shoulder—what shapes of footprints are you laying down behind as you tread these sands of time? destination, the new play …

Read more »

An Encomium: Austin Opera and La bohème

An Encomium: Austin Opera and La bohème

by Michael Meigs
Published on May 20, 2026

The triumph of Austin Opera's ravishing LA BOHÈME doesn't surprise, for it mirrors the companys confirmation as a major player on the national vocal performance circuit.

  We've just learned that Austin now has a population of more than one million and is the twelfth largest city in the country. How things have changed! Long gone is that slogan Keep Austin Weird and only marginally relevant is its official successor Live Music Capital of the World. To be replaced by—what? Perhaps by nothing at all. Perhaps our town has grown up and gotten to be a city of complexity, creative, and self-awareness, …

Read more »

Review: The Wiz by touring company

Review: The Wiz by touring company

by Brian Paul Scipione
Published on May 17, 2026

THE WIZ on tour is a musical that's about the music but also has the best possible performers—a sum far elevated above its parts.

“You’ve got to love a musical that’s about the music!” I am actually quoting myself here, as this was my biggest takeaway from the show. That is not to say that music is the substance of the show. It is a highly culturally relevant reimagining of The Wizard of Oz, which does much more than bring a distinct new perspective on a classic. It needs to be pointed out thatThe Wiz is a retelling of …

Read more »

Review: Overheard on a Train by Cheerful Secrets

Review: Overheard on a Train by Cheerful Secrets

by Michael Meigs
Published on May 14, 2026

Who doesn't like a train ride? Even better—one with an entertaining story attached, in which you have your own lines to read.

  "Cheerful Secrets," the name of Rebecca Maag's enterprise, captures precisely both her intent and her approach. Her clever projects invite participation, and audiences are gently guided into the happy, amusing revelation of situations and a story. In her latest, Overheard on a Train, she conducts you and your three friends aboard Austin CapMetro's Red Line train at its downtown station on 4th Street. Literally, in this charmingly intimate theatre world, for she is dressed as …

Read more »

Review #2 of 2: The Merry Wives of Windsor by The Baron's Men

Review #2 of 2: The Merry Wives of Windsor by The Baron's Men

by Michael Meigs
Published on May 02, 2026

It's all play in this Falstaff's world, and no one's allowed to hold grudges! Now at the Scottish Rite Theatre (with a magical faery forest).

  Fat Sir John Falstaff may be the greatest of Shakespeare's creations, in the opinion of the late, also great literary critic Harold Bloom. Bloom wrote in his 2017 book-length essay Falstaff - Give Me Life: Falstaff is the everliving. I wonder that the greatest wit in literature should be chastised for his vices since all of them are perfectly open and cheerfully self-acknowledged. Supreme wit is one of the highest cognitive powers. [. . . …

Read more »