Reviews for University of Texas Theatre & Dance Performances
Review: The Visit by University of Texas Theatre & Dance
by Michael Meigs
Published on November 02, 2026
Cabaret styling for a large cast in the vastness of UT's unadorned, unmasked B. Iden Payne Theatre is augmented by video for a powerful presentation on revenge, cupidity, and guilt.
Director Sunghyun Lim's ingenious staging of Dürrrenmatt's The Visit seizes upon the intimacy of cabaret styling and contradicts our expectations by visually expanding the story to the entirety of the virtually bare stage of the B. Iden Payne Theatre at UT Austin. Comedy in closeup-late-night-in-your-face-wink/wink style is all the more striking when performed in the vastness of that space. The spare presentation also contrasts with the mostly unseen resources available to bring it onstage: the …
Review: Behind the Scenes -- The Art of the Hollywood Backdrop, Bass Concert Hall, University of Texas to April 18, 2021
by David Glen Robinson
Published on April 14, 2021
This monumental mid-twentieth-century art form harkened back to the origins of painting, with the same vulnerabilities and ephemerality.
Camille Paglia, in one of her milder pronouncements repeated many times, said that cinema was the dominant art form of the twentieth century. Behind the Scenes: The Art of the Hollywood Backdrop, showing now at the Bass Concert Hall of UT-Austin’s Texas Performing Arts offers a striking, monumental affirmation of that insight. The show is a collection of huge painted backdrops measuring scores of feet high and scores of feet long and all dimensions in …
Review: Three Shitty Sons by University of Texas Theatre & Dance
by Amanda Paz
Published on April 03, 2019
Hannah Kenah's comedy THREE SHITTY SONS speaks to the confused amazement that many millennials like me experience in their everyday lives.
Hannah Kenah creates an amusing portrait of life with three rambunctious sons who love the holidays but wish their mother would hurry up and just drop dead. A woman narrator introduces these “shitty” sons and their mom but also gives us background and perspective by evoking the boys’ dad and sister, both deceased. The narrator eventually steps into this dysfunctional family and marries the youngest brother. Kenah even takes the action into the afterlife and …
Review: A Shadow Among Strangers by University of Texas Theatre & Dance
by Michael Meigs
Published on September 18, 2016
Lucien Douglas could have captivated us even if he'd performed this piece out at the intersection of San Jacinto and 23rd Street. Razzle-dazzle em -- and let 'em know they've been razzle-dazzled.
Sometimes you just have to show them how it's done. Lucien Douglas, professor of theatre at the University of Texas at Austin, has received plenty of acclaim: the College of Fine Arts award for excellence in teaching in 2012 and the UT Systems Regents' award for the same in 2014. His list of acting credits and theatre accomplishments, summarized in the program leaflet and on-line, would probably be as long as your arm if you …
Review: Twelfth Night by University of Texas Theatre & Dance
by Michael Meigs
Published on March 04, 2016
The clever vigor of UT's undergraduate actors in a design evoking magic and transformation provides an entirely satisfying Twelfth Night for devotees and newbies alike.
Traffic was at a near standstill at the University of Texas campus in Austin last Saturday half an hour before the opening of Twelfth Night. I had to take a circuitous route, commit myself to a long line ol cars waiting to enter the parking garage near Longhorns Stadium and fork over a $10 'event parking' fee. But not because of the production at the 244-seat Oscar Brockett Theatre at the UT Department of Theatre …
Review: The Cherry Orchard by University of Texas Theatre & Dance
by Michael Meigs
Published on September 24, 2011
The acting in the piece is strong, a fact that gives one an ever greater wistfulness in the 'what if' realm.
What was Brant Pope thinking? That's not just a curmudgeonly expostulation. AustinLiveTheatre has an affection for alt-versions, augmentations and re-interpretations of the classics. Relatively small audiences have benefited from the Shakespeare riffs of the Wondrous Strange Players, their antecedent Austin Drama Club and the annual inventions of the Weird Sisters Theatre Collective. ALT applauds the current Hedda roll -- two modern language versions of Hedda Gabler from Palindrome Theatre, the SVT's Heddatron and The Further …