by Brian Paul Scipione
Published on May 30, 2023
Aaron Sorkin's adaptation for modern audiences is refreshing, compelling, and a sharp reminder that the controversial issues in Harper Lee's 1960 novel are relevant today.
Having reviewed quite a few new Broadway plays, I have gotten pretty used to seeing that such-and-such a production has won four, five, six, seven, or a gazillion Tony Awards. It is hard to describe my shock that the best Broadway play I have seen in years, Harper Lee’s To Kill a Mockingbird, won only one. I realize that the knee-jerk reaction to this statement will be along the lines that the Antoinette Perry Awards …
by Brian Paul Scipione
Published on February 28, 2023
This touring production of ALADDIN is a runaway smash. The story is relatable and succent; all character choices make perfect sense. Most importantly it’s just really fun.
It's no surprise that the Broadway version of Disney’s Aladdin is from the producer of The Lion King. The productions also share a lyricist in Tim Rice, but other than that they're are quite different. The Lion King has been a much greater success by a variety of metrics. It won five times as many Tony Awards and has netted more than double the profit. The Lion King is the third-longest-running Broadway show of all …
by Brian Paul Scipione
Published on January 24, 2023
As they say in the movies, “It must be difficult to let go of something so beautiful.” And this is why people will always return to fairy tales like PRETTY WOMAN.
In its ongoing commitment to bring Broadway to the City of the Violet Crown, Texas Performing Arts and Broadway in Austin presented Pretty Woman: The Musical between January 17 and 22, 2023. Runs are necessarily limited for touring productions, but they are always worth trying to catch and tickets are on sale well in advance. Conveniently, most modern Broadway productions are familiar stories. Upcoming productions include Aladdin, Ain't Too Proud: The Story of The Temptations, …
by Brian Paul Scipione
Published on November 13, 2022
The touring production doesn't attempt to redefine CHICAGO; it does an amazing job of capturing the original spirit of the show: a celebration of life while on death row. A very welcome message at this time.
All the songs are fever dreams of the incarcerated. The set is an homage to the Duke Ellington Band’s scaffolded-style stage. The spotlights dance about like police search lights. The dancing is joyous, raw, animalistic—pure visceral sensuality and unbridled passion. If “writing about music is like dancing about architecture,” then the choreography speaks in sublime sentences that form poetic paragraphs . The music slinks like Eliot’s scampering marmoset. The show elevates the timeless romanticism of …
by Michael Meigs
Published on November 03, 2022
Chicago's message: Life is a vaudeville, old chum. Come to the vaudeville!
Why should one bother to see yet another production of Chicago? The musical debuted nearly fifty years ago, in 1975; the film came out in 2002; and the work long ago proliferated among regional, community, educational, and even kiddie theatre companies. CTXLiveTheatre records ten productions of Chicago across the region, including a 2013 national tour, versions by Austin Playhouse, the Georgetown Palace, San Antonio's NESA high school arts program, and even a 2016 staging by …
by Brian Paul Scipione
Published on November 02, 2022
The Blue Man Group disguises low art as high art for an adoring public. Still, with the vast improvement and innovations in technology in the last thirty years, the ‘toys’ now available to them have a lot more potential.
Whenever possible, I like to go to any and every live production cold. No foreknowledge whatsoever. Of course, this is sometimes difficult with extremely popular works and often impossible if it’s a classic. Now, I wasn’t particularly worried about spoilers when it came to the Blue Man Group, but all I really knew about it was that there would be Blue Men and lots of drumming. I also assumed there would be a lot of …