by Michael Meigs
Published on January 06, 2014
Karrasch's transformations of costume and personae are by turns amusing, alluring and alarming; Haddock is fatigued, then intrigued, then confused, then spellbound. Karrasch is a chameleon but she's also a shape-shifter, an enchantress or an illusion.
What is desire? The attraction to a pair of long legs in black high-heeled boots and fishnet stockings? The fascination with a pair of bright eyes with heavy mascara, a mane of blond hair, and lips coated with a gloss as luscious and thick as blood-colored chocolate? The yearning for physical contact and the hypnotic intensity of mystery? Or perhaps the transmutation of half-understood, deep-buried memories from childhood? Or maybe the enigma of the Other, …
by Michael Meigs
Published on December 09, 2013
You've arrived at an estate on an otherwise uninhabited island somewhere off the English coast along with nine strangers. Your host hasn't shown up. The weather has been steadily deteriorating. You spend the first hours tentatively making the acquaintance of this odd collection of mostly upper middle class individuals. The polite tedium is shattered when a voice from the next room sternly names each of you and accuses each of homicide. Ten lines of doggerel …
by Catherine Dribb
Published on October 03, 2013
To be! Don Quixote would have undoubtedly decided. And with the final weekend approaching, the Playhouse has announced that this has been their highest earning musical in all their eleven years of existence.
While the impossible dream of Austin Playhouse moving into Mueller Development may still be just that, they’ve finally released Man of La Manchainto the Austin art world. For two years it’s been slated as the opening production in their newly built theatre, but with no ground breaking yet, it seems Don Quixote will have to settle for Highland Mall instead. Which seems appropriate really. For the man who battles windmills and sees the potential of …
by Michael Meigs
Published on March 13, 2013
There is so much brainy wit here that at times I regretted the director's choice to keep the dialogue rattling forward like the Schlitterbahn.
Oscar Wilde wrote and proclaimed almost to tedious extent about aestheticism in his early career as writer, lecturer and journalist, and he was so well known for his extravagance and opinions that Gilbert & Sullivan had caricatured him in their 1881 operetta Patience. Wilde wrote a couple of dramatic tragedies in the 1880s that came to nothing, and in 1891 he wrote Salomé, in French. The Lord Chamberlain put a stop to Sara Bernhardt's plan …
by Michael Meigs
Published on February 14, 2013
In an age when 'dysfunctional' all too often is appended to 'American family' in the U.S. theatre, Jon Robin Baitz's Other Desert Cities spends much of its two acts appearing to explore yet another meltdown. Lyman and Polly Wyeth are prosperous California retirees with backgrounds in Hollywood and Republican politics. Their children are several sorts of messes. The older son got into drugs and then into political violence, getting implicated in a deadly firebombing before …
by Michael Meigs
Published on April 06, 2012
Forster's witty and sympathetic if somewhat patronizing portrayal of Lucy Honeychurch and those around her features amusing characters caught up in the most basic dramatic dilemma of all: who best deserves to make our sweet heroine happy?
A Room with a View at Austin Playhouse in Lara Toner's graceful adaptation of Forster's novel is serene fun. An ungracious critic -- say, someone who regularly posted grumbling letters to the Times of London -- might ask why the Playhouse bothered to concoct a presentation of the style regularly served up by the BBC on PBS's Masterpiece Theatre, but that imaginary critic would miss the point entirely. Another curmudgeonly observation might be that Mssrs …